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Film and Philosophy

Volume 4, Issue On Horror, 2001
Special Issue on Philosophy of Horror

Table of Contents

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Displaying: 1-13 of 13 documents


1. Film and Philosophy: Volume > 4 > Issue: On Horror
Acknowledgements
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2. Film and Philosophy: Volume > 4 > Issue: On Horror
Daniel Shaw Editor's Introduction
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3. Film and Philosophy: Volume > 4 > Issue: On Horror
Daniel Shaw Power, Horror and Ambivalence
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4. Film and Philosophy: Volume > 4 > Issue: On Horror
Patrick Crogan Things Analog and Digital
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5. Film and Philosophy: Volume > 4 > Issue: On Horror
Anat Pick Third Man, Fourth World: The Fantastic Inscription of Orson Welles in Peter Jackson's Heavenly Creatures
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6. Film and Philosophy: Volume > 4 > Issue: On Horror
Cynthia Freeland Explaining the Uncanny in The Double Life of Véronique
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7. Film and Philosophy: Volume > 4 > Issue: On Horror
Steven Schneider Manifestations of the Literary Double in Modern Horror Cinema
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8. Film and Philosophy: Volume > 4 > Issue: On Horror
Michael Levine Depraved Spectators and Impossible Audiences
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9. Film and Philosophy: Volume > 4 > Issue: On Horror
Tarja Laine Empathy, Sympathy and the Philosophy of Horror in The Shining
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10. Film and Philosophy: Volume > 4 > Issue: On Horror
Kevin L. Stoehr Kubrick and Ricoeur on Nihilistic Horror and the Symbolism of Evil
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11. Film and Philosophy: Volume > 4 > Issue: On Horror
James Wierzbicki Wedding Bells for The Bride of Frankenstein: Symbols and Signifiers in the Music for a Classic Horror Film
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12. Film and Philosophy: Volume > 4 > Issue: On Horror
Sara Waller, Chris Meyers Disenstoried Horror: Art Horror Without Narrative
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13. Film and Philosophy: Volume > 4 > Issue: On Horror
Richard Gilmore Horror and Death at the Movies
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