Already a subscriber? - Login here
Not yet a subscriber? - Subscribe here

Displaying: 1-14 of 14 documents


1. Film and Philosophy: Volume > 14
Dan Shaw Editor's Introduction
view |  rights & permissions | cited by
2. Film and Philosophy: Volume > 14
Sander Lee Woody Allen Gets Away With Murder (Or Does He)?
view |  rights & permissions | cited by
3. Film and Philosophy: Volume > 14
William Pamerleau Philosophizing About Woody Allen: Do Author Intentions Matter?
view |  rights & permissions | cited by
4. Film and Philosophy: Volume > 14
Sander Lee Response to Bill Pamerleau
view |  rights & permissions | cited by
5. Film and Philosophy: Volume > 14
Bart Engelen Open Your Eyes?: Why Nozick's Experience Machine Does Not Refute Hedonism
view |  rights & permissions | cited by
6. Film and Philosophy: Volume > 14
Joseph Kupfer Sea Changes: Failure to Care in The Squid and the Whale
view |  rights & permissions | cited by
7. Film and Philosophy: Volume > 14
Steven G. Smith Hume, Kant, And Road Runner On Causation
view |  rights & permissions | cited by
8. Film and Philosophy: Volume > 14
Tadd Ruetenik "How Am I Not Myself?": Philosophical Despair In I [Heart] Huckabees
view |  rights & permissions | cited by
9. Film and Philosophy: Volume > 14
Murray Skees A Synecdoche: Eternal Sunshine of the Spotless Mind and Fredric Jameson's Theory of Postmodernism
view |  rights & permissions | cited by
10. Film and Philosophy: Volume > 14
Amy Coplan Comments on Thomas E. Wartenberg's Thinking on Screen: Film as Philosophy
view |  rights & permissions | cited by
11. Film and Philosophy: Volume > 14
Bruce Russell Limits to Thinking on Screen
view |  rights & permissions | cited by
12. Film and Philosophy: Volume > 14
George M. Wilson Some Comments On Thinking On Screen: Film As Philosophy
view |  rights & permissions | cited by
13. Film and Philosophy: Volume > 14
Thomas E. Wartenberg Response to My Critics
view |  rights & permissions | cited by
14. Film and Philosophy: Volume > 14
Richard Nunan Filmosophy and the Art of Philosophical Analysis of Films
view |  rights & permissions | cited by