Already a subscriber? - Login here
Not yet a subscriber? - Subscribe here

Displaying: 1-10 of 11 documents


1. Film and Philosophy: Volume > 18
Dan Shaw Editor’s Introduction
view |  rights & permissions | cited by
2. Film and Philosophy: Volume > 18
Richard Nunan Film as Philosophy in Memento: Reforming Wartenberg’s Imposition Objection
view |  rights & permissions | cited by
3. Film and Philosophy: Volume > 18
Emma Bell Grief Time: Feeling Philosophy in Inception
view |  rights & permissions | cited by
4. Film and Philosophy: Volume > 18
Fabio Bacchini Conflicting Moral Arguments in Pedro Almodóvar’s Hable con Ella
view |  rights & permissions | cited by
5. Film and Philosophy: Volume > 18
Alain Beauclair I Have Been And Always Shall Be Your Friend
view |  rights & permissions | cited by
6. Film and Philosophy: Volume > 18
Sander Lee The Moral Implications of Gettysburg
view |  rights & permissions | cited by
7. Film and Philosophy: Volume > 18
Daniel Wack How Movies Do Philosophy
view |  rights & permissions | cited by
8. Film and Philosophy: Volume > 18
C. Paul Sellors What in the World Distinguishes Fiction from Nonficton Film?
view |  rights & permissions | cited by
9. Film and Philosophy: Volume > 18
Vernon Cisney The Madness of God: The Schizosign in Shutter Island
view |  rights & permissions | cited by
10. Film and Philosophy: Volume > 18
Joseph Kupfer Wonder Boys: Righting Our Lives by Writing the Story
view |  rights & permissions | cited by