Cover of Semiotics

Semiotics

Semiotics 1984
1984, ISBN 0-8191-4880-6

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the project of the proceedings
1. Semiotics: 1984
John Deely Editor’s Preface
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semiotics of literature
2. Semiotics: 1984
David K. Danow Dialogic Perspectives: Bakhtin and Mukařovský
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3. Semiotics: 1984
Len Hatfield Signs of Authority in Yeats’ The Wild Swans at Coole
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4. Semiotics: 1984
Terri Brint Joseph Peirce, Pound, and Fenollosa
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5. Semiotics: 1984
Floyd Merrell Knowing Fictions
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6. Semiotics: 1984
Laurence A. Rickels Wilhelm Heinse’s Media Conception of the Arts
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7. Semiotics: 1984
Beverly Seaton Further Dialogue with a Nobel Laureate
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8. Semiotics: 1984
Cheryl Ann Weissman Empty Pockets and Illusory Prizes: Perceptions of Loss in Dickens’ Great Expectations
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the antithetical hypersign
9. Semiotics: 1984
SunHee Kim Gertz The Green Knight Teaches Gawain How To Read
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10. Semiotics: 1984
Clayton Koelb The Kafkan Parable as Antithetical Hypersign
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11. Semiotics: 1984
Susan Noakes Intertextuality and Dante’s Antithetical Hypersign
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visual arts and intertextuality: semiotic analyses
12. Semiotics: 1984
Maryann Ayim The Sexual Semiotics of Photography
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13. Semiotics: 1984
Jackson G. Barry Semiotics and the Meaning of Form
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film semiotics and specular information
14. Semiotics: 1984
Shekhar Deshpande Semiotics and Realism: Toward a Theory of Documentary Film
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15. Semiotics: 1984
Jenny L. Nelson Soaps/Sitcoms: Television Genres as Situated Discourse
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16. Semiotics: 1984
Micheal C. Pounds, Peter H. Salus Specular Information
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semiotics and music
17. Semiotics: 1984
Gayle A. Henrotte Music as Language: A Semiotic Paradigm?
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18. Semiotics: 1984
Roland Posner Balance of Complexity and Hierarchy of Precision: Two Principles of Economy in the Notation of Language and Music
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architectural semiotics
19. Semiotics: 1984
Robert M. Baron Rome as Body and Text: A Suggested Method in Sixtus V’s Re-construction Program
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20. Semiotics: 1984
Marco Frascari Semiotica Ab Edendo: Taste in Architecture
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