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Film and Philosophy
Volume 18, 2014
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Displaying: 1-11 of 11 documents
1.
Film and Philosophy:
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18
Dan Shaw
Editor’s Introduction
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2.
Film and Philosophy:
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Richard Nunan
Film as Philosophy in Memento:
Reforming Wartenberg’s Imposition Objection
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3.
Film and Philosophy:
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Emma Bell
Grief Time: Feeling Philosophy in Inception
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Film and Philosophy:
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Fabio Bacchini
Conflicting Moral Arguments in Pedro Almodóvar’s Hable con Ella
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Film and Philosophy:
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Alain Beauclair
I Have Been And Always Shall Be Your Friend
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Film and Philosophy:
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Sander Lee
The Moral Implications of Gettysburg
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7.
Film and Philosophy:
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Daniel Wack
How Movies Do Philosophy
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8.
Film and Philosophy:
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C. Paul Sellors
What in the World Distinguishes Fiction from Nonficton Film?
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9.
Film and Philosophy:
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Vernon Cisney
The Madness of God:
The Schizosign in Shutter Island
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10.
Film and Philosophy:
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Joseph Kupfer
Wonder Boys: Righting Our Lives by Writing the Story
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11.
Film and Philosophy:
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Shawn Loht
Film as Ethical Philosophy, and the Question of Philosophical Arguments in Film:
A Reading of The Tree of Life
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