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Displaying: 1-12 of 12 documents


1. Epoché: A Journal for the History of Philosophy: Volume > 15 > Issue: 2
Kalliopi Nikolopoulou

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This paper considers Foucault’s remarks on Euripides and parrhesia in order to reflect on the deeper relation between tragic speech and truth-telling. It argues that: a) tragedy is a privileged mode of truth-telling, since the tragic fall always involves the hero’s passion for truth; and b) parrhesia is inherently tragic, insofar as it endangers its agent. By focusing on the Bacchae, which Foucault sidesteps, I maintain that this play exemplifies the tragic structure of parrhesiastic conduct, while staging the passage of parrhesia from the temple to the city, and thus also from religion to politics and philosophy.

2. Epoché: A Journal for the History of Philosophy: Volume > 15 > Issue: 2
Mark J. Thomas

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In this paper I investigate the relationship between the serious and the playful elements in Socrates’ character as these unfold within the context of Xenophon’s Symposium. For the Greeks, the concept of value is attached to the meaning of seriousness, and this accounts for the natural preference for the serious over the playful. Despite the potential rivalry of the playful and philosophy, Socrates mixes the playful with the serious in such a way as to conceal their boundary. This mixing serves the purpose of education, by both attracting us to Socrates and placing us at a distance from the intended meaning of his words.

3. Epoché: A Journal for the History of Philosophy: Volume > 15 > Issue: 2
Burt C. Hopkins

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The paper argues that the ontology of Self behind Descartes’s paradigmatic modern account of passion is an obstacle to interpreting properly the account Socrates gives in the Symposium of the truth of Eros’s origin, nature, and gift to the philosophical initiate into his truth. The key to interpreting this account is located in the relation between Eros and the arithmos-structure of the community of kinds, which is disclosed in terms of the Symposium’s dramatic mimesis of the two Platonic sources of being, the One Itself and the indeterminate dyad. This interpretation’s focus is the vulgar and philosophical dimensions of the phallic pun at the beginning of the dialogue. Both dimensions of the dialogue’s opening joke manifest the appearance of Eros in the dialogue as a distorted imitation of the koinonia of the greatest kinds: Being, Rest, Motion, the Same, and the Other.

4. Epoché: A Journal for the History of Philosophy: Volume > 15 > Issue: 2
Benjamin Frazer-Simser

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Beginning the Phaedrus, Socrates greets Phaedrus saying, “Dear Phaedrus, whither and whence?” This essay will unfold the salutation, exposing its power to disclose the erotic phenomena portrayed in the dialogue. Moreover, the erotic soul’s incorporation of future and past, its implementation of memory and prophecy, its agency and passivity, and its relation to these ways of being reveals its ability to know itself. However, the temporality in which the soul reveals itself is neither chronological nor dialectical but ecstatic, characterized as prophetic, for “the soul is somehow prophetic” and Socrates is “a kind of prophet.” The essay delves into the prophetic nature of the soul and its significance in understanding Socratic erotic self-knowledge in the Phaedrus.

5. Epoché: A Journal for the History of Philosophy: Volume > 15 > Issue: 2
Edward C. Halper

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Drawing principally on the Symposium, this paper argues that humor in Plato’s dialogues serves two serious purposes. First, Plato uses puns and other devices to disarm the reader’s defenses and thereby allow her to consider philosophical ideas that she would otherwise dismiss. Second, insofar as human beings can only be understood through unchanging forms that we fail to attain, our lives are discontinuous and only partly intelligible. Since, though, the discontinuity between expectation and actual occurrence is the basis for humor, Plato can use humor to express who we are as human beings.

6. Epoché: A Journal for the History of Philosophy: Volume > 15 > Issue: 2
Catherine Zuckert

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Plato’s Timaeus is usually taken to be a sequel to the Republic which shows the cosmological basis of Plato’s politics. In this article I challenge the traditional understanding by arguing that neither Critias’s nor Timaeus’s speech performs the assigned function. The contrast between Timaeus’s monologue and the silently listening Socrates dramatizes the philosophical differences between investigations of “the human things,” like those conducted by Socrates, and attempts to demonstrate the intelligible, mathematically calculable order of the sensible natural world, like that of Timaeus.

7. Epoché: A Journal for the History of Philosophy: Volume > 15 > Issue: 2
Christopher P. Long

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In Plato’s Protagoras Alcibiades plays the role of Hermes, the ‘ambassador god,’ who helps lead Socrates’ conversation with Protagoras through a crisis of dialogue that threatens to destroy the community of education established by the dialogue itself. By tracing the moments when Alcibiades intervenes in the conversation, we are led to an understanding of Socratic politics as always concerned with the course of the life of an individual and the proper time in which it might be turned toward the question of justice and the good.

8. Epoché: A Journal for the History of Philosophy: Volume > 15 > Issue: 2
Jeremy R. Bell

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In this essay I trace the terms empeiria and tribē throughout the Platonic corpus in order to expose their central position within Plato’s critique of the sophists and rhetoricians. I find that these two terms—both of which indicate a knack or habitude that has been developed through experiential familiarity with certain causal tendencies—are regularly deployed in order to account for the effectiveness of these speakers even in the absence of a technē; for, what Plato identifies with these terms is the sophists’ and rhetoricians’ near masterful familiarity with and ability to manipulate the doxa and the dogma of the many, hoi poloi.

9. Epoché: A Journal for the History of Philosophy: Volume > 15 > Issue: 2
Benjamin A. Rider

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In the Alcibiades I, Socrates argues for the importance of self-knowledge. Recent interpreters contend that the self-knowledge at issue here is knowledge of an impersonal and purely rational self. I argue against this interpretation and advance an alternative. First, the passages proponents of this interpretation cite—Socrates’ argument that the self is the soul, and his suggestion that Alcibiades seek self-knowledge by looking for his soul’s reflection in the soul of another—do not unambiguously support their reading. Moreover, other passages, particularly Socrates’ cross-examination of Alcibiades, suggest the contrary reading, that self-knowledge includes knowledge of qualities peculiar to the individual.

10. Epoché: A Journal for the History of Philosophy: Volume > 15 > Issue: 2
Jeffrey D. Gower

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This paper offers a deconstructive reading of the pure actuality of the un­moved mover of Aristotle’s Metaphysics Lambda. Aristotle describes this first, unmoved principle of movement as a divine sovereign—the king of the cosmos—and maintains that the good governance of the cosmos depends on its unmitigated unity and pure actuality. It is striking, then, when Giorgio Agamben claims that Aristotle bequeathed the paradigm of sovereignty to Western philosophy not through his arguments for the pure actuality of the unmoved mover but rather through his description of the essence of potentiality. An interpretation of Aristotle’s account of potentiality in Metaphysics Theta therefore prepares the way for a deconstruction of the unity and pure actuality of the divine sovereign. I argue that the repetition of nous in Aristotle’s description of the divine thinking of thinking betrays traces of division and difference at the heart of divine sovereignty. If this is the case, then actuality and potentiality become indis­cernible at the level of the absolute and the sovereign corresponds to the bifurcated site of this indiscernibility.

11. Epoché: A Journal for the History of Philosophy: Volume > 15 > Issue: 2
Rebecca Steiner Goldner

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In this paper, I argue for the sense of touch as primary in Aristotle’s account of sensation. Touch, as the identifying and inaugurating distinction of sensate beings, is both of utmost importance to Aristotle as well as highly aporetic on his explanation. The issue of touch and the problematic of flesh, in particular, bring us to Merleau-Ponty’s account of flesh as the chiasmic fold and overlap of subject and object, of self and other, and to an incipient and veiled knowledge present in the body’s orientation to and within the world.

12. Epoché: A Journal for the History of Philosophy: Volume > 15 > Issue: 2
Thomas Tuozzo

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Aristotle says that arts such as medicine, the soul, and the heavenly Unmoved Movers are all efficient causes. Because the arts do not seem to fit the model of an efficient cause that does something, scholars have posited two classes of efficient cause, “energetic” and “non-energetic” ones, and have classified the arts, the soul, and the Unmoved Movers as non-energetic. I argue that, once the way an Aristotelian efficient cause produces motion is properly understand, this distinction is not needed: all efficient causes are energetic. I end by proposing a new understanding of the efficient causality of the Unmoved Mover.