Process Studies

In this short article, the conditions surrounding the recent discovery of Whitehead's first lecture at Harvard University are detailed. This article is meant as an introduction to Whitehead's lecture, which is published for the first time in the present issue of Process Studies. The previous two installments of the series titled "On the Trail ofWhitehead" can be found in Process Studies issues 45.1 (2016) and 46.1 (2017).

The way Whitehead speaks of God in his "philosophy of organism," and the evaluation thereof is the subject of this article. The background of this issue is the position—broadly shared in theology, and here represented by Aquinas—that one should not speak "carelessly" about God. Does Whitehead violate this rule, or does his language for God express God's otherness and relatedness to the world in a new, intriguing way? In order to answer this question, an introduction into Whitehead's philosophy is given, and especially into his category of existence, the "actual entity." For Whitehead, God is an actual entity, and so is the most trivial puff of existence. His perception of the similarity and greater dissimilarity between God and the worldly actual entities (and clusters thereof) is analyzed. In the main andfinal section of this article, these insights are used as tools to decrypt Whitehead's God-language. Here, I compare the status of Whitehead's and Aquinas's statements about God, discuss Whitehead's ideas concerning the analogical character of concrete language, and argue that in Whitehead's philosophy too there is no discourse about God without a shift or breakdown of the "ordinary" meaning of language

This essay contends that reality is a creative evolutionary process by which the virtual is transformed into the actual and argues that our critical conception of realism in literature needs to be altered to reflect this purposive and progressive living reality in contrast to the static and dead actuality assumed by the conventional notion of realism as mimesis. Realist fiction writers who are profound creators have strategically employed metaphysically dipolar and ethically earnest literary genres in tandem with mimetic realism, resulting in complexly interactive alternative and prophetic realisms that function as catalytic agents for progressive change in our world.

This article brings media ecology into conversation with Alfred North Whitehead's philosophy of organism in an effort to lure the former beyond its normally anthropocentric orientation. The article is divided into two parts. Part 1 spells out the way Whitehead's approach can aid media ecology in developing a less anthropocentric theory of communication. Part 2 engages more specifically with Mark B. N. Hansen's Feed-Forward: On the Future of Twenty-First-Century Media. Hansen's work is an example of the exciting new directions opened up for media theory by Whitehead's panexperientialist ontology, but I argue that Hansen's attempt to "invert" Whitehead's theory of perception is based on a terminological confusion

This article is an attempt to examine and clarify the truth theory of American pragmatism. Three central ideas of this truth theory will be considered in light of Whitehead's metaphysics: a rejection of the correspondence theory of truth, a defense of fallibilism, and a recognition of the temporality of truth.

My suggestion is to replace Charles Hartshorne's term "panentheism" with that of "pansyntheism" as a more fruitful way of characterizing the dynamic relation between God and the world. He introduced the term panentheism in order to split the difference between traditional theism and pantheism, to define God as highly interactive with the cosmos without being totally in control of it. The world is thought of as being in God without being identified with God.

This article explores the thesis that novelty is central to a wide and diverse range of French philosophers in the twentieth century. Often these philosophers are seen on different sides of philosophic divides, but novelty brings them together. I will explore some of the fruitful areas for dialogue between French and process philosophy, particularly around the theme of novelty.