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1. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 16 > Issue: 2
Jiang Sun

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2. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 16 > Issue: 2
Donglan Huang

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As a part of the geographical knowledge introduced by Matteo Ricci from the West into China at the beginning of the 17th century, the concept of “Asia” had undergone a cool reception for over three hundred years and did not become a common idea of world geography until the early 20th century when it was publicized by textbooks and other mass media. As the author points out, Asia is not merely a geographical concept, but also refers to history, culture, and politics. Although early Western missionaries and Chinese scholar-officials like Wei Yuan endowed Asia with a positive meaning as the origin of world civilization, from the mid-19th century on, Chinese intellectuals, out of a sense of crisis caused by the European invasion of Asia, tended to describe Asia as a backward continent subjugated by the white people. In the 1910s, against the background of Japan’s annexation of Korea, Asia was divided into two opposing parts, “the country invading other countries” (Japan) and “the countries being invaded by other countries” (India, Korea, and China). Along with the occupation of other Asian countries by Japan in the name of “the Greater East Asian Co-Prosperity Sphere” in the 1930s and 1940s, the concept of Asia also lost its charm among Chinese nationals.

3. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 16 > Issue: 2
Jiang Sun

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Discussing the issues of “Asia,” Takeuchi Yoshimi’s discourse of “Overcoming Modernity” (近代超克) has received broad attention among the international community of scholars. Commentators try to identify the ideological elements of this discourse that, as they hope, could help to solve post-modern problems. After analysing Takeuchi’s understanding of the war and its context, this paper shows that his discourse of “overcoming modernity” has an anti-historical tendency, which stems from the ideological ambiguity of his attitude towards the question of who was responsible for the war.

4. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 16 > Issue: 2
Jingdong Yu

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During the 17th and 18th centuries, European investigations into Chinese geography underwent a process of change: firstly, from the wild imagination of the classical era to a natural perspective of modern trade, then historical interpretations of religious missionaries to the scientific mapping conducted by sovereign nation-states. This process not only prompted new production of maps, but also disseminated a large amount of geographical knowledge about China in massive publications. This has enriched the geographical vision of Chinese civilization while providing a new intellectual framework for Europeans to understand China. Concurrently, it has formed another route for the travel of knowledge and intercultural interactions between the East and the West. Those interactions between space and knowledge have been reflected in the production, publication and dissemination of numerous maps of China in early modern Europe.

5. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 16 > Issue: 2
Xiaobo Lu

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The concepts of Minben 民本, Minbensixiang 民本思想, and Minbenzhuyi 民本主义 are rather popular in current Chinese discourse. However, “Minben” was hardly found in Chinese ancient literature as a noun. Around the year of 1916, “Minbenzhuyi” became widely accepted in Japanese intellectual circles, interpreted as one of the Japanese versions of democracy. In 1917, “Minbenzhuyi” was transferred to China as a loanword by Li Dazhao and developed into one of the Chinese definitions of democracy. Nevertheless, Chen Duxiu questioned the meaning of the term in 1919. It was not until 1922 did Liang Qichao bring Minbenzhuyi back into Chinese context and conduct a systematic analysis, which had a lasting impact on Chinese intellectual community. In the following 20 years, Minbenzhuyi was largely accepted in two different senses : 1) interpreted as Chinese definition of democracy; 2) specifically refers to the Confucian idea of “Minshiminting and Minguijunqing” (民视民听, 民贵君轻). Gradually, it became evident that Minbenzhuyi in China had grown distant from the meaning of democracy and returned to its traditional Confucian values.

6. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 16 > Issue: 2
Yinli Ge

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In 1908, the first and second chapters of Kropotkin’s Mutual Aid were first translated into Chinese by Li Shizeng, greatly influencing Chinese anarchists. Li Shizeng followed Kropotkin’s scientific argument of anarchism and strengthened the viewpoint for praising “public” and suppressing “private”. When translating Kropotkin’s thoughts, Li Shizeng focused on political revolution, glossing over the criticism of the capitalist economy, and barely referenced Kropotkin’s original anarchist communist ideology.

7. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 16 > Issue: 2
Ke Zhang

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This paper examines the concept of Rendaozhuyi in Late Qing and Early Republican China. Appearing as early as 1903, Rendaozhuyi is the Chinese rendering of both humanism and humanitarianism. For the Chinese intellectuals during the Late Qing and Early Republican period, “rendao” itself represented a modern value of humanity and human dignity. In the wake of the Great War, Rendaozhuyi gained tremendous popularity among the May-Fourth scholars. Some of them held it up as a universal ideal and tool to critique Chinese tradition, while others respectfully disagreed, worrying it would undermine the collective morale of “strengthening the nation”. Finally, the late 1920s saw the rapid ebb of the discussions of Rendaozhuyi. Keywords: Rendaozhuyi, humanism, humanitarianism, conceptual history

8. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 16 > Issue: 2
Xinhui Min

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This paper focuses on the change of the meaning of “gospel” in Chinese context since the 17th Century. In the late Ming dynasty, Catholic missionaries were the first to translate “gospel” into Chinese with their writings about the Bible. Then the term became intermingled with traditional Chinese belief of seeking blessings. After the ban on Christianity imposed by the Emperor Yong Zheng, Chinese Catholics hid their faith and disguised it as Buddhism, Taoism and folk religions. At the end of the 19th century, “gospel” was connected to colonialism and became a trigger for Sino-Western conflict. The critique of and hostility toward the term abruptly arose. In the 20th century, “gospel” turned into a new concept, which went beyond its religious connotation and gradually referred to all kinds of “good news”.

9. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 16 > Issue: 2
Xuejun Zheng

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Owing to Zhu Zhixin’s introduction and Liu Wendian’s translation, Japanese anarchist Kotoku Shusui’s On the Obliteration of Christ came to have a great impact on China’s Anti-Christian Movement following the May Fourth Movement. What these three texts oppose is not only Christian authority, but also political power. In a continuous line, these writings lay the basic framework for Chinese anti-Christian speech in the 1920s, as the combination of scientism and nationalism began to shape people’s perception of Christianity.

10. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 16 > Issue: 2
Xinzhu Li

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This paper focuses on the change of the image of “mouse” which was transformed from the legend of Fifteen Strings of Cash to the other versions. The legend of Fifteen Strings of Cash, written by Zhu Suchen, was a story of the vindication of defendants in a court case and formed the basis for a series adaptations. The legend of Fifteen Strings of Cash provided a frame of imagination about the image of a “mouse”. Meanwhile, the adaptation of the legend in folk opera provided a more ethical narrative than the original. The folk versions not only strengthened the “evil” of the “mouse”, but also heightened the suffering of innocent scholars. In the contemporary versions after 1949, the “mouse” as an animal disappeared in the story, and Lou Ashu (“shu” means “mouse” in Chinese) became a pure villain in this play, which also symbolized “evil” and pointed to the feudal and backward old society.

11. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 16 > Issue: 2
Xiao Tan

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The conceptual changes of Jian儉 in the pre-Qin period were the results of changes in the social and political structure. It originally referred to Jian virtue, which was a kind of political norm of clan states. This required the aristocrats to be moderate in accordance with the patriarchal hierarchy and generously share their wealth with their own clansmen. The opposite of Jian virtue is Tan (貪greed) and Chi (侈extravagance). In the middle of the Spring and Autumn Period, many states formed their politics based on ministerial families. The aristocrats glorified greed and extravagance as Fu (富riches), and stigmatized Jian virtue as Pin (貧poverty). After the collapse of the clan-based state order, the states in the Warring States Period gradually developed into territorial states, and the institutional political norm became a new, abstract concept, indicated by the compound Jian Yue (儉約economy) and was used to describe the consumption attitudes of individuals and families. Meanwhile, with the increase of social mobility, the pursuit of riches was highly popular in the ideological world. The new expression of “means-ends” advocated by Legalists, which stipulated that individuals and families acquire wealth through Jian Yue (economy), took shape and endures to this day.

12. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 16 > Issue: 1
Leigh Duffy

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In this paper, I address the seeming tension found in The Bhagavad Gita in our duties as described in the practice of Karma yoga. The path of Karma yoga involves renunciation and yet we also have an obligation to act righteously. How are we to simultaneously choose a path of duty and let go of what our actions along that path produce? I will argue that the seeming tension is a result of a misunderstanding of renunciation or non-attachment as well as an incomplete view of the dualistic philosophy of yoga theory. I describe the two main paths of yoga that are emphasized in The Bhagavad Gita, Jnana yoga or the path of knowledge and Karma yoga or the path of action, and argue that it is necessary to understand Karma yoga in light of Jnana yoga and to apply Jnana yoga so that it‟s not an abstract school of thought, but a philosophy that can be applied to best live our lives.

13. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 16 > Issue: 1
Luis Cordeiro-Rodrigues

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Marxist Philosophy as an explanation of social reality has, since the fall of the Berlin Wall, been largely neglected. However, some philosophers have contended that it may still be relevant to explain today’s social reality. In this article, I wish to demonstrate precisely that Marxist philosophy can be relevant to understand social reality. To carry out this task, I show that Marxist philosophy of law can offer a sound explanation of Animal law in South Africa. My argument is that South African law is a superstructure that reinforces the power of the animal farming industry in South Africa. That is, the hidden purpose of the law is to benefit the industry. In order to argue for this, I present two sets of arguments. The first set argues that the law facilitates the functioning of the animal farming industry. In the second set of arguments I contend that the law socialises individuals into approving the methods of slaughtering by the animal farming industry.

14. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 16 > Issue: 1
Vytis Valatka, Vaida Asakavičiūtė

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This article restores the peculiar ethical-cultural cartography from the philosophical fragments of Ancient Greek Cynicism. Namely, the fragments of Anthistenes, Diogenes of Sinope, Crates, Dio Chrysostom as well as of the ancient historians of philosophy (Diogenes Laertius and Joanes Stobaeus) are mainly analyzed and interpreted. The methods of comparative analysis as well of rational resto-ration are applied in this article. The authors of the article concentrate on the main characteristics of the above mentioned cartography, that is, the contradiction between maps of nature and civili-zation. The article comes to the conclusion that the basis of this contradiction is the concept of the main value as well as virtue in the above mentioned cynicism, namely, natural radical temperance. According to ancient cynics, this virtue is absolutely incompatible with pleasure-driven civilization, as the latter annihilates the former. Therefore, cynics interpreted the whole territory of the world known at that time as divided between maps of nature and civilization that never overlap or even intersect. Moreover, according to ancient cynics, the territory covered by maps of civilization is considerably smaller than that enframed by the maps of nature. Moreover, the areas of nature are continuously being diminished, as civilization resolutely goes ahead. In such a situation that threatens survival of human nature the only possible way out is a return to the natural value of radical temperance. After cynics, the only effective strategy of achieving that challenging goal is askesis as excercises of temperance dedicated both to body and spirit. The authors of the article also give a certain SWOT analysis of the above mentioned cartography in the context of contemporary society. According to them, such a cartography possesses both strong and weak points. The main weak point is the contradiction itself between maps of culture and civilization. As a matter of fact, civilization does not annihilate the possibility of natural temperance, whereas a human being, according to his/her nature, is a creator of culture and civilization. On the other hand, the main positive aspect is an emphasis on virtue of temperance, which is actual, significant and relevant in any epoch, culture and civilization, and which is pretty much forgotten nowadays.

15. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 16 > Issue: 1
Saman Rezaei, Kamyar Kobari, Ali Salami

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With the realization of the promised global village, media, particularly online newspapers, play a significant role in delivering news to the world. However, such means of news circulation can propagate different ideologies in line with the dominant power. This, coupled with the emergence of so-called Islamic terrorist groups, has turned the focus largely on Islam and Muslims. This study attempts to shed light on the image of Islam being portrayed in Western societies through a Critical Discourse Analysis approach. To this end, a number of headlines about Islam or Muslims have been randomly culled from three leading newspapers in Western print media namely The Guardian, The Independent and The New York Times (2015). This study utilizes “ideological square” notion of Van Dijk characterized by “positive presentation” of selves and “negative presentation” of others alongside his socio-cognitive approach. Moreover, this study will take the linguistic discourses introduced by Van Leeuwen regarding “representing social actors and social practices” into consideration. The findings can be employed to unravel the mystery behind the concept of “Islamophobia” in Western societies. Besides, it can reveal how specific lexical items, as well as grammatical structures are being employed by Western media to distort the notion of impartiality.

16. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 16 > Issue: 1
I Wayan Mudra

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Men Brayut is one of the interesting stories of Balinese people since ancient times until present that acts as a source of inspiration in art. This study aimed creating and describing the ceramic sculptures inspired by the Men Brayut story. This research uses qualitative descriptive approach in which the researcher becomes the main instrument. Data collection by observation and documentation. This statue was made using SP Gustami's creation method namely exploration, improvisation and embodiment. The results show that the creation process of ceramic sculpture featuring Brayut image can be separated into two, they are the process of making the main character of Men Brayut and the process of making Brayut‟s children as an ornamental media that can show the image of Brayut on the sculpture. The creation this sculpture was started from the bottom using the combined technique of slab, pinching, and coil. Based on its function, the creation of this statue is functioned as the ornamentation and the practice as well as the ornamentation. This work implemented the green, blue and brown glazes with the combustion tempera-ture was 1200°C. Some of the created works were titled to Joy, Fatigue, Affection, and Affection 2.

17. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 16 > Issue: 1
Tadd Ruetenik

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By considering various case studies drawn from contemporary culture, I propose the idea of victim-blaming shaming, which, like victim blaming, involves replicating injustice by focusing attention on the particular situation rather than the general problem. In cases of victim-blaming shaming, a person is criticized for in any way addressing a problem by addressing the victim. Victim-blaming not only involves an inconsistent ethic, but because of this inconsistency promotes that which it opposes. It responds to a social problem by directing attention to an individual within that problematic social situation.

18. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 16 > Issue: 1
Sanja Ivic Orcid-ID

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This inquiry investigates the concept of European values and cultural, philosophical, legal and political presuppositions on which the idea of European values is based. There are two approaches to the idea of European values. The first one is substantive approach (and includes philosophical, ethical, religious and ideological understanding of values). The substantive approach defines European values as based on the European heritage (ancient Greece and Rome, Christianity, Renaissance and humanism, Enlightenment and liberal traditions). This conception of European values is fixed. Another understanding of European values is represented by legal/political approach (that includes the definition of European values within European treatises, declarations, charters and other documents). Legal and political definition of European values includes: human dignity, freedom, democracy, equality, the rule of law and respect for human rights. Most authors consider that only from this second level, from legal and political definition, general features of European values can be achieved, that is, universal rules of the game. This paper shows how these two different approaches can be integrated, relying on John Rawls's idea of overlapping consensus. It should be emphasized that the question of European values and European identity is still a topic of debate. There are different definitions and interpretations of these concepts, regardless of the legal definitions within the framework of European declarations and treaties. European identity (based on European values) is a polyphonic category, which cannot be founded on monolithic definitions. Otherwise, the entire continent would fall under the rule of one homogeneous culture.

19. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 16 > Issue: 1
Eugenia Zaiţev

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Among the meritorious attempts to unravel the enigma of artistic creation are the views of Immanuel Kant and Arthur Schopenhauer. In the following, we want to emphasise an aspect that is less discussed in the specialised literature, namely the relation between memory and creation. We are talking about the authentic creation that Kant and Schopenhauer consider to be the one that carries in itself the Aesthetic Ideas. With minor differences, the concept, as well as the associated linguistic expression, come together in the work of both German philosophers. An authentic work of art is the work of genius and it has the role of transmitting Ideas. Thus, we will be able to observe “the secret” of a work of art – the Aesthetic Idea.

20. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 16 > Issue: 1
Qingben Li, Jinghua Guo

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Derrida considered himself Marx's successor in Spectres of Marx, as manifested in his grammatological deconstruction of linguistics. Proceeding from linguistics, Derrida questioned the traditional linguistics represented by Saussure, overturned the metaphysics based on linguistic signs, and thereby deconstructed logocentrism. In Derrida's view, logocentrism is the belief that there is an ultimate reality such as being, essence, truth and ideas, which actually doesn't exist and needs to be negated. In linguistics, logocentrism, or rather phonocentrism, maintains that speech alone conveys ideas smoothly while writing is a simple supplement. Contrary to this idea, Derrida argued that writing could also convey meanings just as speech according to social convention. This deconstruction of traditional linguistics by Derrida shows his adoption of Marxist theory and methodology as well as the significant linguistic influence of Marxist theory with its contemporary perspective.