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Displaying: 1-20 of 323 documents


1. philoSOPHIA: Volume > 14
Alyson Cole, Kyoo Lee

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essays

2. philoSOPHIA: Volume > 14
Monique Roelofs, Norman S. Holland

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Elaborating decolonial and intersectional methods, aesthetics has developed rich tools for tackling power differences. A philosophical question arises about the nature of gendered embodied experience and materiality: How to comprehend the cultural field if it is at once a site of heinous expropriation and violence and one of vital social and political possibility? This essay explores this question through a reading of Claudia Llosa’s film The Milk of Sorrow (La teta asustada) (2009). The film, we show, reworks racial, gendered, and colonial logics and supplants a model of transculturation, magical realism, and syncretism and its attendant figuration of resistance by a cultural vision of a web of multivalent, pluri-directional aesthetic promises and threats. Thus it presents a young Indigenous woman as a contemporary decolonial actor who, in encounter with popular culture and the global marketplace, renders memory livable and opens up unforeseen futures for her young town and country. We signal the implications for the positioning of the decolonial feminist spectator or culture maker and for a decolonial aesthetics. Aesthetic existence at the intersection of oppression and liberation, although impure and troubled, functions as a bountiful font of feminist energy and sustenance and a site of communal caring and imagination.
3. philoSOPHIA: Volume > 14
Sofie Vlaad

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This paper explores trans poetics as a way of doing trans philosophy. I begin by giving an overview of the current state of trans philosophy. I then give examples of other literatures wherein poetics is taken to be philosophically robust. After giving a brief history of trans poetics, I turn to the poetics statements and poetry of three trans poets—D’Lo, Ching-In Chen, and micha cárdenas—featured in the 2013 anthology Troubling the Line. I show how poetry is often uniquely able to capture the ambiguity of the WTF of trans experience in ways that differ from philosophical argumentation. I conclude by suggesting that poetics might move us away from a potential politics of suffering in trans philosophy to a politics of liberation.
4. philoSOPHIA: Volume > 14
Zairong Xiang

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What does epistemic decolonization mean for contemporary rethinking of the body, gender/sexuality, and knowledge in feminist and queer scholarship? Through a close reading of Chinese medicine’s classical text Huang Di Nei Jing (Yellow Emperor’s Inner Canon), this essay proposes a “body-of-orifices” in which the penis like the vagina and the anus is but another orifice among other more visible bodily openings. In feminist and queer theorization, the penis has been almost only accounted for as something else, as the metaphoric pen, the psychoanalytic phallus, as anything other than the organ itself. Meanwhile, in pornographic, cinematic, and other visual representations, the Asian man’s member(ship) is largely denied, nowhere to be seen. This invisibility mirrors the overrepresentation of white male philosophers in much of queer theory’s theoretical foundation. Engaging closely with feminist and queer re-readings of Freudian and Lacanian psychoanalysis while delving deeply into the philosophical and cosmological concepts of Chinese medicine, the essay also argues that the body-of-orifices entails a different heuristic model for a less hegemonic practice of knowing based on cultivation of passivity and receptiveness, which is very different from the colonial/modern model of knowledge-acquisition as mastery, penetration, and possession.

transcripts

5. philoSOPHIA: Volume > 14
Mieke Bal

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The three short pieces below are part of an alphabetically ordered series of entries, which, together, will constitute a non-subject-centered autobiography. Professional memories are merged with personal ones. To underline the fragmentary nature of memory, I call them “vignettes.”
6. philoSOPHIA: Volume > 14
Elise Armani, Amy Kahng, Sohl Lee, Daniel Menzo, Sarah Myers

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This article is a co-written reflection on the process of curating and programming Printing Solidarity: Tricontinental Graphics from Cuba (2021–2022). Held at Stony Brook University’s Paul W. Zuccaire Gallery, the exhibition featured over sixty posters and printed matter produced mostly in the 1960s–1970s by the Organization of Solidarity with the People of Asia, Africa, and Latin America (OSPAAAL) in Havana. As an experiment in pedagogical curating, the yearlong project spanned the isolation from, return to, and re-envisioning of inperson learning during the COVID-19 pandemic. Reflecting on our inspirations, intentions, and challenges, we argue for the role of art objects in activating material-based, in-person learning on campus and consider the value of academic collaboration, cross-regional research, and experimental pedagogies. The project offered an opportunity to revisit the Cold War-period politics of global solidarity in today’s pandemic era while exploring what it would mean to study art today from the question of solidarity rather than division.

book review

7. philoSOPHIA: Volume > 14
April Flakne

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8. philoSOPHIA: Volume > 13
Alyson Cole, Kyoo Lee

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a forum on namita goswami’s subjects that matter

9. philoSOPHIA: Volume > 13

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10. philoSOPHIA: Volume > 13
Alfred Frankowski III

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In this article, I focus on intersections between colonial violence, aesthetics, and ecological crises as reflections of a crisis of the political imagination. I engage Namita Goswami’s Subjects That Matter and argue that the ways in which her text pursues forms of questioning racialized and gendered colonial violences provides a context for approaching variations of colonial violence collectively. By engaging Goswami’s text, I propose a postcolonial aesthetics as a way of rethinking our planetary bonds, aesthetically. I further argue that postcolonial aesthetics runs contrary to our contemporary political imagination, and that it makes the crisis of this imaginary apparent.
11. philoSOPHIA: Volume > 13
Falguni A. Sheth

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In this article, I explore Namita Goswami’s Subjects That Matter. Goswami has laid out an extensive excavation of the variety, depth, and breadth of antagonistic encounters between the Western world and subaltern subjects. I am interested in Goswami’s take on the production of the unknowable women of color who are constructed either as good wives, animate objects without wills of their own, or transgressors of the genre of producing women of color as oppressed. I argue that the question of heterogeneity already assumes the very thing that is under question: to presuppose heterogeneity is already to presuppose its limit conditions—to already understand what difference looks like, which could preempt the possibility of infinite, or indefinite iterations. The irony is that we run the risk of assuming the very thing that we are trying not to presuppose, anticipate, or cordon off. Moreover, I question whether it is possible to encounter deep radical differences in any way other than antagonistically, since the unknown, from experience, is assumed to threaten.
12. philoSOPHIA: Volume > 13
Jennifer Scuro

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Following Namita Goswami’s call for a “non-antagonistic understanding of difference” in Subjects That Matter: Philosophy, Feminism, and Postcolonial Theory (2019), I want to challenge the canon of white feminism that still lingers in the emerging discourses on trauma care and trauma recovery, specifically utilizing concepts from Critical Disability Theory and, to some degree, Critical Trauma Studies. As Joy DeGruy asks in Post Traumatic Slave Syndrome [PTSS]: “debilitating beliefs and assumptions are . . . part of the legacy of trauma. . . . How are such effects of trauma transmitted through generations?” and in the spirit of Spivak’s aesthetic education as Goswami cites her, I make an effort here to “bring to crisis” the meaning of trauma, beyond its psychotherapeutic connotations, especially as it may be rooted in the collective, as well as to demonstrate the connections between the inherited trauma of anti-black oppression to the legacy of slavery. This challenge begs the following questions: whose trauma matters? And to what end?
13. philoSOPHIA: Volume > 13
Lauren Guilmette

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This essay draws upon Namita Goswami’s 2019 book Subjects That Matter: Philosophy, Feminism, and Postcolonial Theory for the insights she brings to an ethics of archival encounters, particularly regarding the files of those whose only record is their judgment and/or objectification by existing dominant institutions. First, I briefly summarize some key insights, with attention to Goswami’s careful exegesis of Spivak. In the next section, I consider these postcolonial feminist questions about infamous women in conjunction with Saidiya Hartman’s 2008 essay “Venus in Two Acts,” and in the third section, I explore the resonances of Goswami’s book with Hartman’s Wayward Lives, Beautiful Experiments, a text also published in 2019 that shares Goswami’s commitment to the heterogeneous complexity of lives that overflow their often-dismissive records. In conclusion, I suggest some alternative formulations of subjectivity and agency suggested by this line of inquiry between Goswami and Hartman.
14. philoSOPHIA: Volume > 13
Luce deLire

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Can the Transsexual speak? I investigate this question through the case of Ella Nik Bayan who self-immolated in Berlin (Germany) on September 14, 2021. I first argue that this self-immolation is unreadable within the current frameworks of Western democracies. The case, however, paradigmatically demonstrates that emancipation within the confines of neoliberal capitalism can only be read under the pretense of a toxic protection. I then move on to claim that Ella Nik Bayan’s self-immolation calls for a completely different political order from the one we currently inhabit, which, with Namita Goswami, I call “heterogeneous.” I argue that heterogeneous politics is a politics of radical hospitality that opposes institutions of private property in particular. Unlearning private property means to pre-enact a world without the kind of racist, transmisogynist, and antisemitic violence that killed Ella Nik Bayan. Anti-capitalist hospitality sets out to create the social and cultural resources that enable a world beyond (such) violence.
15. philoSOPHIA: Volume > 13
Russell Ford

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Namita Goswami’s book, Subjects That Matter: Philosophy, Feminism, and Postcolonial Theory, challenges its reader not only to attend to how one philosophizes about difference but also how one might philosophize differently. It is concerned with how we, now, practice philosophy as well as what we philosophize about. In this response, I raise a series of questions meant to challenge and expand Goswami’s work from the standpoint of someone rooted in the dominant framework of the Anglo-European academic discourse on difference. In raising these questions, I take myself to be attempting the very twisting free of conventional philosophizing that Subjects That Matter invites. Some of the most powerful discussions in Goswami’s book concern the issues of metaphysics, dialectics, and history. The questions raised here predominantly concern whether specifically “dialectical” non-identity is faithful to Goswami’s conception of a non-antagonistic understanding of difference. Relatedly, does the past-facing metaphysical concept of the Whole insinuate itself in philosophy in such a way as to preclude thinking in ways that go against the grain of the Eurocentric tradition? From this concern for the conceptual commitments of dialectics and its associated metaphysics arises the further concern of whether even a negative dialectics allows for sufficiently differential genealogies.
16. philoSOPHIA: Volume > 13
Tyler M. Williams

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In Subjects That Matter, Namita Goswami attends to philosophy’s institutional and disciplinary failures to reconcile its identitarian claims to universality and reason with the feminist and postcolonial modes of thinking it traditionally keeps at bay. This essay places Goswami’s critique within a context of “the thought from outside,” which, beginning with Foucault’s reading of Blanchot, continuing through the geopolitics of Dussel’s philosophy of liberation, and prominent in Catherine Malabou’s conceptualization of plasticity, demonstrates how political critiques of philosophical hegemony contain an implicit theorization of “literature.” If “literature” gives voice to the thought from outside, does it in turn “decolonize” philosophy? If so, what itinerary of thought ought to follow the relationship between this literary decolonization of philosophy and its imbrication within the fold of philosophical thought? How to conceptualize the plastic relation between inside and outside, between center and periphery, without subordinating the latter to the hegemony of the former? This essay argues for a coherence between Goswami’s and Malabou’s materialist understandings of difference and a conceptualization of literature as an “outside” to philosophy that operates “excentrically” “inside” philosophy.
17. philoSOPHIA: Volume > 13
Namita Goswami

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This essay responds to the polyphonic and prismatic reflections stemming from Subjects That Matter: Philosophy, Feminism, and Postcolonial Theory (2019), especially as the connective and creative works included in this forum seek holistic, profoundly interdisciplinary, and transcontinental discussions on intersectionality and philosophical practice. I seek vibrant, productive connections between diverse projects by attempting to engage a few salient aspects of these contributions as they intersect with the book’s overall stated aims, primarily because my interlocutors’s work leads out of the book rather than burrows into it. This is precisely the forum’s aspirational trajectory, for it showcases multiplicity, discontinuity, divergence, plurality, and profusion, not to dubiously claim the mantle of radicalism, but to move toward systemic change through the precarious, difficult, and essentially historical task of building coalitions. My hope remains that through these lovingly orchestrated moments of exegetical exchange, which confound and limit rather than insulate our habitual disciplinary lexicons, we may roil Eurocentric identity politics and its impoverished understanding of difference.

transcripts

18. philoSOPHIA: Volume > 13
Mieke Bal

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The three short pieces below are part of an alphabetically ordered series of entries, which, together, will constitute a non-subject-centered autobiography. Professional memories are merged with personal ones. To underline the fragmentary nature of memory, I call them “vignettes.”

19. philoSOPHIA: Volume > 13
Juliana González, Margaret Carson

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In 1956, as a young art critic, the Mexican philosopher Juliana Gonzalez first encountered the paintings of the Spanish surrealist Remedios Varo at the artist’s breakthrough solo exhibition in Mexico City’s Galeria Diana. Gonzalez, greatly impressed, soon befriended the much older Varo and became a regular visitor to her studio, where they talked about her paintings and their shared intellectual interests in literature, psychoanalysis, and philosophy, a conversation that ended with Varo’s untimely death in 1963 at age 54. A few years later, Gonzalez contributed this essay-homage to the 1966 catalog Remedios Varo. She opens with an evocation of Varo’s masterpiece, the triptych To the Tower, Embroidering the Earth’s Mantle and The Escape—a magnet for viewers at the recent “Surrealism Beyond Borders” exhibition in New York and London—and finds in it keys to the artist’s life and to her attempts through art “to flee this inexorable order toward another reality.” Gonzalez’s close examination of the contradictions and ambiguities in Varo’s artistry, of “her wise, poetic humor,” and of her quest “to comprehend the universe” remains an essential read almost 60 years later. The catalog in which it first appeared is long out of print, and, to the best of my knowledge, Gonzalez’s essay has never been republished in Spanish, making the text that follows as much an act of recovery as it is a translation.

book review

20. philoSOPHIA: Volume > 13
Jami Weinstein

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