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Film and Philosophy

Volume 4

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1.	Film and Philosophy: Volume > 4 > Issue: On Horror Acknowledgements view \| rights & permissions \| cited by	SHARE


2.	Film and Philosophy: Volume > 4 > Issue: On Horror Daniel Shaw Editor's Introduction view \| rights & permissions \| cited by	SHARE


3.	Film and Philosophy: Volume > 4 > Issue: On Horror Daniel Shaw Power, Horror and Ambivalence view \| rights & permissions \| cited by	SHARE


4.	Film and Philosophy: Volume > 4 > Issue: On Horror Patrick Crogan Things Analog and Digital view \| rights & permissions \| cited by	SHARE


5.	Film and Philosophy: Volume > 4 > Issue: On Horror Anat Pick Third Man, Fourth World: The Fantastic Inscription of Orson Welles in Peter Jackson's Heavenly Creatures view \| rights & permissions \| cited by	SHARE


6.	Film and Philosophy: Volume > 4 > Issue: On Horror Cynthia Freeland Explaining the Uncanny in The Double Life of Véronique view \| rights & permissions \| cited by	SHARE


7.	Film and Philosophy: Volume > 4 > Issue: On Horror Steven Schneider Manifestations of the Literary Double in Modern Horror Cinema view \| rights & permissions \| cited by	SHARE


8.	Film and Philosophy: Volume > 4 > Issue: On Horror Michael Levine Depraved Spectators and Impossible Audiences view \| rights & permissions \| cited by	SHARE


9.	Film and Philosophy: Volume > 4 > Issue: On Horror Tarja Laine Empathy, Sympathy and the Philosophy of Horror in The Shining view \| rights & permissions \| cited by	SHARE


10.	Film and Philosophy: Volume > 4 > Issue: On Horror Kevin L. Stoehr Kubrick and Ricoeur on Nihilistic Horror and the Symbolism of Evil view \| rights & permissions \| cited by	SHARE


11.	Film and Philosophy: Volume > 4 > Issue: On Horror James Wierzbicki Wedding Bells for The Bride of Frankenstein: Symbols and Signifiers in the Music for a Classic Horror Film view \| rights & permissions \| cited by	SHARE


12.	Film and Philosophy: Volume > 4 > Issue: On Horror Sara Waller, Chris Meyers Disenstoried Horror: Art Horror Without Narrative view \| rights & permissions \| cited by	SHARE


13.	Film and Philosophy: Volume > 4 > Issue: On Horror Richard Gilmore Horror and Death at the Movies view \| rights & permissions \| cited by	SHARE


14.	Film and Philosophy: Volume > 4 > Issue: On Woody Allen Acknowledgements view \| rights & permissions \| cited by	SHARE


15.	Film and Philosophy: Volume > 4 > Issue: On Woody Allen Sander Lee Editorial Introduction view \| rights & permissions \| cited by	SHARE


16.	Film and Philosophy: Volume > 4 > Issue: On Woody Allen Vittorio Hösle Why Do We Laugh at and with Woody Allen? view \| rights & permissions \| cited by	SHARE


17.	Film and Philosophy: Volume > 4 > Issue: On Woody Allen Maurice Yacowar Text /Subtext in Everyone Says I Love You view \| rights & permissions \| cited by	SHARE


18.	Film and Philosophy: Volume > 4 > Issue: On Woody Allen Mary Nichols Woody Allen's Search for Virtue for a Liberal Society: The Case of Mighty Aphrodite view \| rights & permissions \| cited by	SHARE


19.	Film and Philosophy: Volume > 4 > Issue: On Woody Allen Mark W. Roche Justice and the Withdrawal of God in Woody Allen's Crimes and Misdemeanors view \| rights & permissions \| cited by	SHARE


20.	Film and Philosophy: Volume > 4 > Issue: On Woody Allen Ronald LeBlanc Deconstructing Dostoevsky: God, Guilt, and Morality in Woody Allen's Crimes and Misdemeanors view \| rights & permissions \| cited by	SHARE