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Film and Philosophy

Volume 5/6, 2002

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1.	Film and Philosophy: Volume > 5/6 Dan Flory Editor's Introduction view \| rights & permissions \| cited by	SHARE


2.	Film and Philosophy: Volume > 5/6 E. M. Dadlez Quasi-Fearing Fictions view \| rights & permissions \| cited by	SHARE


3.	Film and Philosophy: Volume > 5/6 Bert Olivier Reason and/or Imagination: Peter Weir's Dead Poets Society view \| rights & permissions \| cited by	SHARE


4.	Film and Philosophy: Volume > 5/6 Deborah Knight Being Don Juan: Identity, Metafiction, and the Conflict of Desires view \| rights & permissions \| cited by	SHARE


5.	Film and Philosophy: Volume > 5/6 Richard Gilmore Oedipus Techs: Time Travel as Redemption in The Terminator and 12 Monkeys view \| rights & permissions \| cited by	SHARE


6.	Film and Philosophy: Volume > 5/6 Craig N. Bach Nietzsche and The Big Sleep: Style, Women, and Truth view \| rights & permissions \| cited by	SHARE


7.	Film and Philosophy: Volume > 5/6 Joseph H. Kupfer The Work of Love-At Work on Board The African Queen view \| rights & permissions \| cited by	SHARE


8.	Film and Philosophy: Volume > 5/6 Richard Gilmore Into the Toilet: Some Classical Aesthetic Themes Raised by a Scene in Trainspotting view \| rights & permissions \| cited by	SHARE

symposium: noël carroll's theorizing the moving image
9.	Film and Philosophy: Volume > 5/6 Allan Casebier Noël Carroll's Theorizing the Moving Image view \| rights & permissions \| cited by	SHARE

10.	Film and Philosophy: Volume > 5/6 Alan Goldman Specificity, Popularity, and Engagement in the Moving Image view \| rights & permissions \| cited by	SHARE

11.	Film and Philosophy: Volume > 5/6 Noël Carroll Defending Theorizing: Responses to Casebier and Goldman view \| rights & permissions \| cited by	SHARE

12.	Film and Philosophy: Volume > 5/6 Alan Goldman Response to Carroll view \| rights & permissions \| cited by	SHARE

13.	Film and Philosophy: Volume > 5/6 Allan Casebier Response to Carroll view \| rights & permissions \| cited by	SHARE

14.	Film and Philosophy: Volume > 5/6 Noël Carroll Defending Theorizing II: The Sequel view \| rights & permissions \| cited by	SHARE

symposium: walter benjamin and mechanical reproduction
15.	Film and Philosophy: Volume > 5/6 Joseph Margolis Mechanical Reproduction and Cinematic Humanism view \| rights & permissions \| cited by	SHARE

16.	Film and Philosophy: Volume > 5/6 Thomas E. Wartenberg Cinematic Humanism or Grand Theory?: A Critique of Margolis view \| rights & permissions \| cited by	SHARE

17.	Film and Philosophy: Volume > 5/6 Noël Carroll Margolis, Mechanical Reproduction and Cinematic Humanism view \| rights & permissions \| cited by	SHARE

symposium: noël carroll's interpreting the moving image
18.	Film and Philosophy: Volume > 5/6 Dan Flory Aesthetic Cognition and Visible Intelligibility view \| rights & permissions \| cited by	SHARE

19.	Film and Philosophy: Volume > 5/6 Flo Leibowitz Why Intention Matters: On Carroll and Film Interpretation view \| rights & permissions \| cited by	SHARE

20.	Film and Philosophy: Volume > 5/6 Andrew Light Does the Audience Matter?: On Carroll and Visual Argument view \| rights & permissions \| cited by	SHARE

Browse > Volume > 5/6

Film and Philosophy

Volume 5/6, 2002

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Displaying: 1-20 of 23 documents

symposium: noël carroll's theorizing the moving image

symposium: walter benjamin and mechanical reproduction

symposium: noël carroll's interpreting the moving image