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Film and Philosophy
Volume 7, 2003
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Displaying: 1-11 of 11 documents
1.
Film and Philosophy:
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7
Daniel Shaw
Editor's Introduction
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2.
Film and Philosophy:
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7
Anat Pick
"No Callous Shell":
The Fate of Selfhood from Walt Whitman to Todd Haynes
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3.
Film and Philosophy:
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Robert Clewis
Heideggerean Wonder in Terence Malick's The Thin Red Line
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Film and Philosophy:
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Ronald Lindsay
Sensible and Desperate Knaves in The Way Of the Gun
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5.
Film and Philosophy:
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Nathan Abrams
'Are You Still You?':
Memory, Identity and Self-Positioning in Total Recall
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6.
Film and Philosophy:
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Jerold J. Abrams
Cinema and the Aesthetics of the Dynamical Sublime:
Kant, Deleuze, Heidegger and the Architecture of Film
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7.
Film and Philosophy:
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7
Kevin Taylor Anderson
Finding the Essential:
A Phenomenological Look at Hal Hartley's No Such Thing
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8.
Film and Philosophy:
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David Brottman
A Gnostic Matrix for the Masses:
A Conspired Space Of Metaphysical Totality
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9.
Film and Philosophy:
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Eugene Arva
Life as Show Time:
Aesthetic Images and Ideological Spectacles
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10.
Film and Philosophy:
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Nathan Wolfson
PoMo Desire?: Authorship and Agency in Wim Wenders Wings of Desire iDer Himmel über Berlin)
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book review
11.
Film and Philosophy:
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Dan Shaw
Eighteen Woody Allen Films Analyzed
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