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Displaying: 1-14 of 14 documents


1. Environment, Space, Place: Volume > 3 > Issue: 2
Glen A. Mazis

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Looking at the finding of several archeoastronomers, who examine the relationship of built cultures to celestial bodies, this essay speculates on the unique relationship of the inhabitants of Chaco Canyon in New Mexico to the earth and sky. The Anasazi who populated this region suddenly disappeared around 1000 A.D. and little is known about their culture, religion, and world except by studying the structures they left behind. This essay looks at their kivas, dwellings, the puzzling “Sun dagger” monument, and the petroglyphs throughout the canyon to understand the many ways that each structure through use of light andspace marked the occurrence of a surprising number of celestial events. There is good evidence that the Anasazi dwelled within the sky and felt a continuity between earth and sky in a way to which postmodern cultures have little access. The unity of body and surround, especially as ascending into the sky from the earth, is linked to a spirituality at odds with the legacy of Plato and others, who oppose the celestial to the earthly, as an inferior realm.

2. Environment, Space, Place: Volume > 3 > Issue: 2
Laura Menatti

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Rosario Assunto, an Italian philosopher of aesthetics begins one of his most interesting and dense essays with a terrifying image about the Earth where we live—“calvizie della terra dissacrata” (1983, 15)—meaning that the Earth becomes bald because of the actions of the man and loses every characteristics of beauty and sacredness. According to Assunto’s theory the homo oeconomicus is the author and the promoter of a Promethean, titanic, industrial, and malodorous town where the sense of art, beauty, and the harmony in landscape are forgotten and erased. The Modern homo oeconomicus is satisfied in his thoughts and works with such a desecrated and raped Earth, rather, he desires this kind of landscape as a symbol of his own progress. I remember that when I first red this essay I asked myself what kind of philosophy I could propose in such a horizon and what kind of analysis I could develop. Maybe geophilosophy could now give some answers. Geophilosophy, according to the version I will propose, deconstructs the usual and reductionist grammar about the concept of space and place, suggesting a new expressive, perceptive and, finally, ethic possibility for the relation between human beings and places. In this article I provide my interpretation of geophilosophy, inspired by Gilles Deleuze’s words, the first philosopher of XX century who wrote about this concept. Then I will analyze nonplaces according to the famous definition proposed by the Marc Augé and I will go beyond the French anthropologist’s definition suggesting a new interpretative model for places and non-places by linking my idea of geophilosophy to Deleuze’s concept of rhizome. The aim of this article is to demonstrate the complexity of the concept of place and finally put into evidence that places, which constitute our roots, are all the spaces we have around, even non-places. The Post-modern era mainly producesnon-places: geophilosophy has to explain the philosophical and cultural reasons for this production by pointing out which possible modalities of connection we can find between contemporary human beings and places.

3. Environment, Space, Place: Volume > 3 > Issue: 2
Jeffrey S. Debies-Carl

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Th is article examines the extent to which spaces are structuring influences on, or targets of, action. Two factors and their interactions are presented: the extent to which a space is 1) maintained and 2) used. As these factors increase in strength, the structural influences of a space increase while agential opportunities are diminished. Conversely, as spaces become dilapidated and abandoned, structural forces are weakened and the potential for creative action heightens. These spaces can be conceptualized as elements of the ‘residual landscape’: spaces left behind by socio-historical processes and practices. Special cases are considered where the factors are inversely related and issues of structure and agency are complicated. A brief case study serves to illustrate each type of spaceand the factors which operate therein.

4. Environment, Space, Place: Volume > 3 > Issue: 2
Luis O. Arata

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This article explores what enables a space to become festive. We start by reviewing how the festive has been deeply connected with play, to the point of being considered a type of play, or more generally, a type of interaction. What enables the festive is the ability to interact with the substance on which participants feast. The question we will then explore in more detail is: given a subject matter from which to build a festive occasion or space, how do we go about making it happen? How do we model the festive space? It is impossible to show that there is only one way of going about enacting the festive. For this reason, it is more productive to propose a model of how to achieve such task. The model that emerges in this article proposes that dismembering the festive substance, in a participatory way, facilitates its enactment. We then examine two cases of festive enactment in different mediums: the textual feast of Julio Cortázar’s novel Hopscotch that turns the printed page into a festive space, and the making of festive theatre, including the creation of the festive play Fire ’Scapes.

5. Environment, Space, Place: Volume > 3 > Issue: 2
Claudia Bosch

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Festzelte are the beer halls (actually tents) of German Oktoberfest style celebrations—generally called Volksfest. Being transient buildings, the tents can be massive and intimidating. 5,000 or more visitors may find a place to drink, eat, sing, dance and celebrate wildly. Chants proclaim the “Gemütlichkeit” [coziness/snugness] despite an atmosphere supercharged with wild behaviors and heavy drunkenness. Norm breaking, liminal behavior is not only tolerated but even expected and intended (up to a certain point).Victor Turner’s concept of cultural performance helps explain the revelry in a beer tent. The tents with their specific rural and folkloristic decorations, spatial structure, and furnishings facilitate the joyous actions. Their staging, as well as the celebratory actions themselves, provide a sacred play-space for anti-structure and communitas, flow and performative reflexivity. The active celebratory participation creates a place where alterity reigns and enables a sense of belonging.

6. Environment, Space, Place: Volume > 3 > Issue: 2
Evert Vandeweghe

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Parades were an intrinsic part of urban life in Belgium between the middle of the nineteenth and twentieth centuries. Scholars have used these festivities time and again to probe into nationalism and the growing political tensions of the time. However, much less attention has been paid to the relation between these parades and the townscape itself. This article tries to fill this gap by exploring how urban festivities can reveal the differing ways in which small-town populations coped with the dilemma of modernization versus preservation (or even creation) of a historical townscape. To this end the routes of the parades are examined,as well as the selective illumination of certain buildings and town quarters, the floats and temporary constructions used during these festivities.

7. Environment, Space, Place: Volume > 3 > Issue: 2
Xenia Srebrianski-Harwell

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This article examines specific celebration rituals of two groups of Russian émigrés during the period of the mid-1950s to early 1960s. The groups, comprised of former officers of the Russian imperial army and of graduates of schools for noble girls, often situated their festivities within a Russian Orthodox Church building located at Madison Avenue and 121st Street in Manhattan. The celebrations, spatially enclosed and separated from the outside world within this structure,suggest their privileged and exclusive nature. The staging and performance of the celebration, while acknowledging displacement and exile, re-inscribed the spatial enclosure with the Russian past through the reenactment of Russian cultural traditions and social hierarchies, thereby validating the lives and identities of the celebrants.

book review

8. Environment, Space, Place: Volume > 3 > Issue: 2
Troy R. E. Paddock

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9. Environment, Space, Place: Volume > 3 > Issue: 1
Malgorzata A. Dereniowska

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The article examines the reduction of architecture to the dimension of utility which results in placelessness. The modern redefinition of science as “knowing-making” is essential to this reduction, although it has fundamental and forgotten importance. Drawing upon Martin Heidegger’s and George Grant’s critique of technology, and the ideas of Alberto Pérez-Gómez and Charles-Francois Viel, the significance of the complex relations between theory and practice in architecture will be explored in the context of Kimberly Dovey’s notion of the cycle of lived-space. A re-definition of modern “knowing-making” reveals a semioticlevel which contains new possibilities for meaningful and environmentally attuned architecture within the technological framework. I suggest “designing-building” as an alternative, understood as a process of poetic recreation of meaningful spaces.

10. Environment, Space, Place: Volume > 3 > Issue: 1
Nader El-Bizri

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This article examines Heidegger’s account of dwelling while placing it in the broad context of a wide array of his lectures and the constellation of his collected writings. The focus on this question is primarily ontological in character, in spite of the spatial significance of the phenomenon of dwelling, and the bearings it has on a variety of disciplines that interrogate its essence, be it in architectural humanities and design or in geography, which probe the various elements of its architectonic and topological underpinnings. The investigation of Heidegger’s reflections on dwelling will be connected in this line of inquiry with his consideration of what he refers to as “the gathering of the fourfold,” namely as “earth, sky, mortals and divinities,” and the manner they are admitted and installed into “things,” all to be set against the background of his meditations on the origins of the work of art, and on the unfolding of the essence of modern technology as en-framing.

11. Environment, Space, Place: Volume > 3 > Issue: 1
Gerald Philips

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Alienation as an aspect of the human condition has a long and storied history. Much of the attention has been focused, however, on alienation among humans themselves. Yet it is increasingly clear that we are in the process of alienating ourselves from the world and all of the creatures and objects in it. This discussion examines the second choral ode from Sophocles’ Antigone and some analyses of the content and formal aspects of Berg’s opera, Wozzeck, in the context of Adorno’s concept of “distinctness without domination,” as means of providing a brief analysis of the problem of alienation considered in this larger sense. Theseconsiderations enable the isolation of several important factors that have inhibited our insight into the seriousness of this form of alienation: First, alienation among humans has effectively distracted us from the increasing urgency of our alienation from the world and the things in it. Second, blinded by our spectacular illusion of “progress,” we continue to pay for it by wreaking destruction upon the planet, the very fount of our existence. Third, morality has only too often been seen as being located in rationalized (hierarchical) relationships among humans rather than as an equally shared, spiritual relationship among the human community,the rest of the biosphere, and the very rocks and water upon which we exist. This final point suggests changes in attitude and behavior that could help us avoid the most devastating effects of this more broadly conceived form of alienation.

12. Environment, Space, Place: Volume > 3 > Issue: 1
Dennis Wood

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This paper takes as its starting point the conjoining of the perceived and conceived spaces of what Soja (1996) calls Thirdspace and what Lefebvre calls ‘lived space’ to launch a discussion about ideas surrounding contemporary concepts of community. The sites under discussion are the ubiquitous shopping malls and the enclave estates or master planned communities (mpcs) which, it is argued, by their design offer only ‘illusions of community.’ The claim in this paper is that within these spaces of control are spatialities of resistance–vagrant spaces-that can, under certain circumstances, point to the—poverty of participation—in the community experience.

13. Environment, Space, Place: Volume > 3 > Issue: 1
Philip Whalen

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The modernization of Burgundy during the late nineteenth and early twentieth centuries drew on the coordinated efforts of numerous industrial and cultural sectors. Among these innovative developments, new tourism industries played a prominent role in providing new opportunities for the consumption of local products while redefining existing conceptions of Burgundian landscapes. This entailed collaboration of a variety of cultural intermediaries ranging from local boosters to politicians and from merchants to academics. Geographers contributed by incorporating symbolic, subjective, and performative practices into the existing regional concepts of terroir and genres-de-vie. The result was newly scripted roles for tourists and locals to participate in gastronomic activities that, by virtue of the experience, altered participants’ experience of time, space, and themselves. Rapidly institutionalized in Burgundy, these developments illustrate how contemporary commercial interests influenced geographic notions of place in the French provinces.

14. Environment, Space, Place: Volume > 3 > Issue: 1
Panizza Almark

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Drawing upon the notion of the uncanny, this article examines my documentary photography concerning the ‘everyday’ indeterminate and potentially ominous spaces around the London transport system following the bombing incidents on the 7th July, 2005. The photographs consist of reframing images found which draw attention to the lingering reminders of terrorism within the cityscape. This paper examines also how issues of representation, race, suspects, victims, protest,defiance and accusations can be evoked in the ficto-critical use of urban documentary photography.