Renascence

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1.	Renascence: Volume > 16 > Issue: 2 Robert S. Phillips The Gothic Architecture of The Member of the Wedding view \| rights & permissions \| cited by	SHARE


2.	Renascence: Volume > 16 > Issue: 2 Arnold Goldsmith The Maltese Cross As Sign In The Spoils of Poynton view \| rights & permissions \| cited by	SHARE


3.	Renascence: Volume > 16 > Issue: 2 Peter L. McNamara Motivation and Meaning In The "Terrible Sonnets" view \| rights & permissions \| cited by	SHARE


4.	Renascence: Volume > 16 > Issue: 2 Sister Mary Venise de Stefano, W.S. Man's Search For Meaning In Modern French Drama view \| rights & permissions \| cited by	SHARE


5.	Renascence: Volume > 16 > Issue: 2 Sister M. Joselyn, O.S.B. Twelfth Night Quartet: Four Magi Poems view \| rights & permissions \| cited by	SHARE


6.	Renascence: Volume > 16 > Issue: 2 Peter L. McNamara Motivation and Meaning In The "Terrible Sonnets" (Continued) view \| rights & permissions \| cited by	SHARE


7.	Renascence: Volume > 16 > Issue: 2 Jeffrey Hart Christ and Apollo: The Modern Debate view \| rights & permissions \| cited by	SHARE

book reviews
8.	Renascence: Volume > 16 > Issue: 2 Spire Pitou Novel Notes view \| rights & permissions \| cited by	SHARE

9.	Renascence: Volume > 16 > Issue: 2 Victor M. Hamm Culture and the Artist view \| rights & permissions \| cited by	SHARE

10.	Renascence: Volume > 16 > Issue: 2 John Pick Decline and Fall view \| rights & permissions \| cited by	SHARE