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1.
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Glimpse:
Volume >
11/12
Paul Majkut
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2.
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Glimpse:
Volume >
11/12
Alberto J. L. Carrillo Canan, Miguel A. Garcia Gonzalez
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3.
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Glimpse:
Volume >
11/12
Luis Acebal
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4.
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Glimpse:
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11/12
Melanie Bourdaa
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5.
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Glimpse:
Volume >
11/12
Gregory Cameron
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6.
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Glimpse:
Volume >
11/12
Alberto J. L. Carrillo Canan, Marco Calderon Zacaula
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7.
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Glimpse:
Volume >
11/12
Alberto J. L. Carrillo Canán, Victor G. Rivas López, Miguel A. Garcia González
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In this paper we shall consider how the globalization of media has destroyed the metaphysical link between the nation as political entity the nation cultural unit, a link which was postulated by the Romantic philosophical tradition and that at the same time has been deeply engrained in the common sense idea of national identity. The paper has three sections. In the first one we consider the two meanings of the concept "nation" and show that their possible aiffinity is only understandable taking into account the relevance of the spatial and temporal determinations of existence. We deal with such kinds of determination in the second section; finally, m the third one we suggest that the political and cultural dynamics of the current intemational order have subverted those determinations and have fostered a new vision of existence in convergence with the so-called American way of life and, by the same token, weakened the traditional idea of nation.
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8.
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Glimpse:
Volume >
11/12
Kurt Cline
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9.
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Glimpse:
Volume >
11/12
Stephen Crocker
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10.
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Glimpse:
Volume >
11/12
Alberto López Cuenca
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11.
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Glimpse:
Volume >
11/12
Gerardo de la Fuente Lora
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12.
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Glimpse:
Volume >
11/12
Gilbert Garza, Brittany Landrum
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13.
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Glimpse:
Volume >
11/12
Jacques Guyot
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14.
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Glimpse:
Volume >
11/12
Jean-Yves Heurtebise
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The aim of this paper is to redefine the notion of "heroism" through an investigation in the sociopolitics of popular Medias and especially the characters of Superheroes as they appear in comics of the late thirties and in the cinematographic industry since the nineties. This paper will pay a large tribute to the works of Gabriel Tarde (1890), Henri Bergson (1932) and Gilles Deleuze (1969) whose concepts will be an imderlying constant reference. My purpose is to redefine the (Bergsonian) notion of heroism through the notions of imitation and innovation, defined by Tarde as the fundamental principles of social life, and redefined by Deleuze as the collective expression of the primitive ontological forces of Repetition and Difference. Actually, the notion of imitation and innovation seem more appropriate to the study of popular culture phenomena than the statistic sociology of Durkheim. Based on that philosophical background, I will give an analysis of the political changes occurring in westem contemporary societies through an analysis of the representation of Superheroes.
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15.
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Glimpse:
Volume >
11/12
Jean-Yves Heurtebise
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16.
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Glimpse:
Volume >
11/12
Stacey Irwin
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17.
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Glimpse:
Volume >
11/12
Michael Larson
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18.
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Glimpse:
Volume >
11/12
Lars Lundsten
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19.
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Glimpse:
Volume >
11/12
Paul Majkut
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| cited by
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20.
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Glimpse:
Volume >
11/12
Paul Majkut
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| cited by
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